The Encore

Основная информация
Автор: Terry Glasspool
RSCDS: Не RSCDS
Сочинен в России: Нет
Публикация: An Itch to Dance
Рекомендуемая музыка: The Perth Medley
Параметры
Тип танца: Medley
Тип сета: Square set
Размер: 64 тактов
Формат сета: 4 couples
Танцующие пары: 4
MiniCribs
Reel
 
 
1-8
1s set to partner, petronella turn, set advancing to join RH, set moving (Lady backwards) into centre of set
9-16
1M+2s also 1L+4s dance reels of 3 on sides, 2s & 4s pass partner RSh & 1M passes 2L LSh while 1L passes 4L LSh, 2s & 4s continue reel to end in partners place while 1s 1/2 turn RH end in centre facing 3s (M facing M)
17-24
1s+3s Set+Link & circle 4H round to left
25-32
1s+3s set to partner (1L+3L & 1M+3M nearer hands joined) & 1s cross out between 3s, 1s dance round (1L behind 2s, 1M behind 4s) to partners original place (All now in partners place)
Strathspey
1-8
All set to partners, petronella turn (Lady facing in & Man out) & dance DoSiDo with partner
9-16
All dance double reels of 4 passing LSh in centre
17-24
All 1/2 turn RH into allemande hold facing clockwise, all turn left about (Man dancing on the spot) & dance anticlockwise 1 place, all turn LH to new positions
25-32
All dance interlocking reels of 4
Заметки
Some information that Terry had published with the dance description on his website:
This dance was written for Janet Zablocki, who lets us use her ballet studio (the Encore Dance Studio) when our normal room is unavailable. Janet brings a spirit of play combined with a sense of the dramatic to her dancing which can light up an entire room. She also has strong opinions, from personal experience, on the subject of including elephants in demonstrations.
Some dance notes provided by Terry on his website:
The “Red House reels” are strictly up and down the dance on the sides of the square.
Couples should not attempt to progress counterclockwise during the first three bars of the Square Knot.
While dancing counterclockwise in allemande hold couples should stay well outside of the square and be just arriving at their new position as they begin to open up.
Because the reels in bars 57-64 are so similar to the interlocking (or banana) reels of four found in other dances, there is a tendency for dancers to treat them as left shoulder reels and to turn the right shoulder loops into a right shoulder pass followed by a left shoulder loop.
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