The Battle of Trafalgar

Основная информация
Автор: Clive Chaney
RSCDS: Не RSCDS
Сочинен в России: Нет
Публикация: Southsea Celebrates 50 Years of Scottish Country Dancing
Рекомендуемая музыка: -
Параметры
Тип танца: Reel
Тип сета: Longwise set
Размер: 4x48
Формат сета: 4 couples
Танцующие пары: 4
MiniCribs
1-8
1s followed by 2s+3s+4s (who dance up sides to start) dance down (3 bars),cast up back to place (3 bars ) & all join hands on sides & set
9-16
1M followed by 2M dances between 1L & 2L, down behind 2L, across set and back up Men’s side to place while 3M+4M dance similar round 3L & 4L, all Men set
17-24
Ladies advance towards partner & set to partner (no hands); pull back RSh & dance out to place, join hands & set
25-28
1s cast (2s cross up LH) while 4s cast up (3s cross down RH), 1s+4s (middle couples) dance 1/2 RH across while 2s+3s (end couples) set
29-32
2s+4s also 1s+3s dance 1/2 LH across, all 4 couples join hands on sides & set. 4 2 1 3
33-40
Men advance towards partner & set to partner (no hands); Men dance RSh round partner & back to place
41-48
4s+2s also 1s+3s dance the Knot. End 2 4 1 3
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Заметки
Written to celebrate the 200th Anniversary of the Battle of Trafalgar. The celebrations for which were centred on Portsmouth.
Battle of Trafalgar
“England expects that every man will do his duty.” In the year 1805, the
War of the Third Coalition
is raging: The United Kingdom, the empires of Austria and Russia, and Sweden, Naples, and Sicily stand against France and her client states under Napoleon Bonaparte and Spain (Prussia remains neutral). On 21 October 1805, near Cape Trafalgar in south-west Spain – immediately outside the Straits of Gibraltar –, a British fleet under the vice-admirals Horatio, Lord Nelson and Cuthbert Collingwood meets a combined French-Spanish fleet under the admiral, Pierre-Charles Villeneuve. The French and Spanish’s goal is to break the British blockade of Brest and, reinforced by the ships shut in there, to take control of the English channel and cover an invasion of Britain – to the British, an unthinkable catastrophe. Nelson’s and Collingwood’s task is to avert this at all costs.
With 33 “ships of the line”, i.e., large sailing ships suitable for the usual tactic where two opposing fleets sail alongside each other in two long queues to make the most efficient use of their “broadsides” – including the largest man-o’-war afloat at the time, the Spanish 130-gun
Santísima Trinidad
–, the French and Spanish command superior numbers compared to the 27 British ships of the line. On the other hand, the British crews, after years at sea and on blockade duty, are much better trained and more experienced than their enemies, who spent most of the time in port. Nelson uses a novel strategy: He splits his fleet into two squadrons, which are supposed to break the French-Spanish line in two different places – a daring maneuver during which his ships are, at first, subject to enemy fire, but will be able to “rake” their opponents when crossing the line, i.e., fire their guns one after the other to shoot through the enemy ships lengthwise, with disastrous consequences for their crews and fighting capability. This plan pans out – while the vanguard of the French-Spanish fleet sails away before it can turn around and join the battle, the British are temporarily of superior strength –, and in the ensuing chaos, the British take or destroy 18 enemy ships without losing any themselves. Nelson’s flagship,
Victory
, leads one of the British squadrons and takes heavy damage. Nelson himself is hit by a French sharp-shooter, gravely injured, and dies shortly before the battle is finished.
Even so, the strategic goal has been reached and an invasion of Great Britain has been successfully foiled. Nelson, a celebrity already in his lifetime in spite of his notorious conduct, posthumously becomes the nation’s greatest war hero ever (even today this has not changed). Villeneuve is taken prisoner. The battle of Trafalgar cements the predominance of the Royal Navy on the seas and therefore represents an important stepping stone towards the British Empire.
From “Anselm's Notes on Dances”, by Anselm Lingnau
(Used by permission.)

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