Ladies dance LH across back to partner’s place; all Set+Link to original places, Ladies face out
17-20
All dance 4 bars of Schiehallion reels (pass LSh in centre). Ladies face out (all have progressed 1 place anticlockwise)
21-24
All turn corner LH , face partner & turn partner 2H once round, opening out ready to …
25-32
All circle 6H round & back. 2 3 1
E-Cribs
1-8
M LHA ; all S&Link (1x,2x,3x)
9-16
W LHA ; all S&Link (1,2,3) & end with W facing out
17-24
4 bars of Schiehallion Reels, passing LSh in centre, W end facing out (2,3,1) ; turn cnr LH & face P | turn P BH & open out into a circle
25-32
Circle6 & back (2,3,1)
Изображение не может быть загружено
Заметки
The title was inspired by a BBC news article about a Portuguese law allowing descendants of Jews expelled in the 15th and 16th centuries to return and claim citizenship. Apparently a few families who took refuge in Istanbul still have keys to the houses in Lisbon that they were forced to leave centuries ago. These keys have been passed down as family heirlooms. For more details see https://www.bbc.co.uk/news/resources/idt-sh/Turning_Portuguese . Those keen on symbolism can imagine the six dancers starting at the points of a Star of David and that the hands across and turns represent keys in locks. The tune, Da Slockit Light , was written by fiddler Tom Anderson as a lament for the lights of houses in Shetland being extinguished as people moved away. It seemed an appropriate choice. This dance also provides an opportunity to thank several people that I know in Lisbon: firstly Adriana Duarte for organising the Curia weekends; also Isabel Monteiro and Isabel Neves for devising lovely dances; and Barbara Gray, Joana Ferreira, Roger Picken and Sue Willdig for running the Carcavelos, Lapa and Telheiras SCD groups.