Tying the Knot
Основная информация
| Автор: | Terry Glasspool & Sue Hall |
|---|---|
| RSCDS: | Не RSCDS |
| Сочинен в России: | Нет |
| Публикация: | Dances from the Seven Year Itch |
| Рекомендуемая музыка: | The Golden Wedding Strathspey |
Параметры
| Тип танца: | Strathspey |
|---|---|
| Тип сета: | Longwise set |
| Размер: | 4x40 |
| Формат сета: | 4 couples |
| Танцующие пары: | 4 |
Источник:
https://my.strathspey.org/dd/dance/9159/
MiniCribs
1-8
1s+2s also 3s+4s circle 4H round, turn partners 2H & chase clockwise 1/2 way (in 2 separate groups of 4) 9-16 1s+4s dance LH across while others chase clockwise to opposite ends, 1s & 4s lead out of ends of set, cross & cast to end 3 1 4 2
17-24
1s+4s dance the Knot to end 3 4 1 2
25-32
Top 3 Men turn bottom 3 Ladies RH & 4s+1s turn partner LH, top 3 Ladies turn bottom 3 Men RH & 4s+1s 3/4 turn partner LH to end in line in middle Men facing up Ladies down
33-40
4s+1s set, dance 1/2 reel of 4 & 3/4 turn partners RH to end 3 1 4 2
E-Cribs
1-8
1c+2c & 3c+4c Circle4 to L ; all turn P BH opening to | 1c+2c & 3c+4c chase clw ½ (2x,1x,4x,3x)
9-16
1c+4c LHA while{4} 2c & 3c chase clw ½ to exchanged places ; 1c & 4c lead out LH through nearest ends | cross and cast inwards (3,1,4,2)
17-24
1c+4c 2C Knot (3,4,1,2)
25-32
Top 3 M turn bottom 3 W RH | 4c & 1c turn P LH ; bottom 3 M turn top 3 W RH | 4c & 1c turn P LH ¾ to midline. 4M & 1M face up, 4W & 1W face down
33-40
4c & 1c set to P | ½ Reels4 | turn P RH ¾ to sides (3,1,4,2)
Заметки
This dance was written to celebrate the occasion of our seventh wedding anniversary. Both the wedding and anniversary were glorious dance parties.
Notes:
It is useful for dancers to be explicitly reminded that there are two chases during bars 7·12: the petite chase in groups of four followed by the grand chase to the other end of the set.
On bars 13-16 first woman should lead her partner and cross him in front of her at the top of the dance, while fourth man will lead and cross his partner in front of him at the bottom.
The styling for bars 24-25 (and similarly bar 28) is similar to that used for Miss Gibson’s Strathspey with the necessary accommodation for two active couples turning until they face their corners. The two dancers who will be meeting in the
middle must not overturn with their partner but finish facing
each other, ready for their right hand turn.
Notes:
It is useful for dancers to be explicitly reminded that there are two chases during bars 7·12: the petite chase in groups of four followed by the grand chase to the other end of the set.
On bars 13-16 first woman should lead her partner and cross him in front of her at the top of the dance, while fourth man will lead and cross his partner in front of him at the bottom.
The styling for bars 24-25 (and similarly bar 28) is similar to that used for Miss Gibson’s Strathspey with the necessary accommodation for two active couples turning until they face their corners. The two dancers who will be meeting in the
middle must not overturn with their partner but finish facing
each other, ready for their right hand turn.
